Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Lucas Cranach
Die Heilige Dorothea

ID: 77058

Lucas Cranach Die Heilige Dorothea
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Lucas Cranach Die Heilige Dorothea


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Lucas Cranach

Kronach 1472-Weimar 1553 German painter and engraver. The son of a painter, he settled in Wittenberg c.1504 and was court painter successively under three electors of Saxony. There he maintained a flourishing workshop and was twice burgomaster. Cranach was a close friend of Martin Luther, whose doctrine he upheld in numerous paintings and woodcuts, and he has been called the painter of the Reformation. He was a rapid and prolific painter, and the work turned out by his studio is uneven in quality. Naïve and fanciful, often awkward in draftsmanship, it has, nonetheless, freshness and originality and a warm, rich palette. His portraits are particularly successful. Among his best-known works are Repose in Egypt (Gemäldgalerie, Staatliche Mus., Berlin-Dahlem); Judgment of Paris (Staatliche Kunsthalle, Karlsruhe); Adam and Eve (Courtauld Inst., London); and Crucifixion (Weimar). The latter contains figures of Luther and Cranach. His many famous protraits include those of Elector John Frederick and Self-Portrait (Uffizi). Cranach was also an accomplished miniaturist. He produced a few copperplates and designs for woodcuts. His son and pupil Lucas Cranach, the Younger,   Related Paintings of Lucas Cranach :. | sjalvportratt | The Virgin under the arbol of apples | Martyrium der Hl. Katharina | Anna Putsch,First Wife of Dr.johannes (mk45) | Salome |
Related Artists:
TIZIANO Vecellio
Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).
Lochner, Stephan
German Northern Renaissance Painter, ca.1400-1451
TROOST, Cornelis
Dutch painter (b. 1697, Amsterdam, d. 1750, Amsterdam). Dutch painter, draughtsman and printmaker. He was the most important Dutch artist of the 18th century; he received many commissions (the catalogue by Niemeijer contains 925 numbers). Although he generally looked back to the genre scenes of the Dutch 17th-century masters, his satirical paintings earned him the nickname 'the Dutch Hogarth' after his English contemporary.






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